Seraphim Trio to play for the Tait Trust | Dedicated to Janet Alstergren Webb

Concert at St Gabriel’s Church, Pimlico
Monday, 23rd January at 7 for 7.30pm

This concert is dedicated to the memory of  Janet Alstergren Webb (1944 – 2016), beloved friend of the Tait Family.

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Janet Alstergren Webb

We are thrilled to confirm that ABC Classics Artists, Seraphim Trio, will perform for us on Monday the 23rd January at St Gabriel’s Church, Pimlico. Join us as we venture into the Viennese salon of Beethoven and Schubert. Our program captures the explosion of Beethoven into Viennese life with his first publication and the devastating inner explorations of Schubert during his last year. Our journey promises to be an adventure of sound, emotion and conversation.

The proceeds from this concert will go towards our awards for 2017.

Concert Programme

Beethoven Op. 1 No. 1 (25 mins)
1. Allegro
2. Adagio cantabile
3. Scherzo: Allegro assai
4. Finale: Presto

Schubert trio in E flat Op. 100 (45 mins)
1. Allegro
2. Andante con moto
3. Scherzando: Allegro moderato
4. Allegro moderato

Over the last two decades, Helen Ayres, Anna Goldsworthy and Tim Nankervis have remained steadfastly committed to chamber music – from building the contemporary repertoire, to developing new audiences and teaching the next generation of performers. Inspiring others through intelligent programming and a deep knowledge and love of chamber music, Seraphim Trio never fails to delight audiences.

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“…absolute sonic cohesion and uniform musical maturity…a masterclass in chamber music technique and ensemble.”  The Australian

“One of Australia’s finest” ArtsHub

“It’s important to acknowledge technical achievement but this performance was about so much more. The Seraphims delivered Beethoven’s music with empathy, not just for the composer’s intention, but also for each other’s contribution to the work.” ArtsHub

Winners of the Piano Trio Prize and the Audience Choice Award at the Australian National Chamber Music Competition in 2001 (now the Asia-Pacific Chamber Music Competition), Seraphim Trio has regularly performed at the Melbourne International Arts Festival, the Port Fairy Spring Music Festival, the Adelaide Festival of Arts, the Peninsular Summer Music Festival and in 2013, Opera Australia’s Ring Festival in Melbourne.

Alongside its acclaimed subscription series Seraphim Trio is frequently broadcast on ABC Classic FM and on the MBS network, and maintains a robust commissioning program, having recently premiered new works by Graeme Koehne, Andrew Ford, Elena Kats-Chernin, Calvin Bowman, Anne Boyd, Benjamin Martin, James Ledger. Seraphim frequently collaborates with Australia’s leading musicians: most recently with Diana Doherty, Paul Dean, Lisa Harper-Brown and David Elton.

The group has studied in Germany with Hatto Beyerle, and in Australia with William Hennessy, Eleonora Sivan, Mark Mogilevski, Ronald Farren-Price and Lois Simpson.

Learn more about Seraphim Trio

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Helen Ayres joins Tait Music Board

We are delighted to confirm that Helen Ayres has joined our Music Board. Helen is a Doctoral graduate from the University of Melbourne where she studied with Mark Mogilevsky and completed research into the music of the Romanian violinist and composer George Enescu, and served as Acting Head of Strings in 2007.

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We were very lucky to have Helen as our concertmaster in our recent Tait Winter Prom, her experience and leadership was a pivotal part of the Tait Chamber Orchestra’s success. Helen is also a member of the internationally acclaimed, Seraphim Trio.

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Their new CD, Beethoven Piano Trios is available to buy from the ABC online here

Helen Ayres

Helen is a Doctoral graduate from the University of Melbourne where she studied with Mark Mogilevsky and completed research into the music of the Romanian violinist and composer George Enescu, and served as Acting Head of Strings in 2007. She is a core member of the Melbourne Chamber Orchestra and its flagship ensemble, the Australian Octet.

Helen has previously held a full-time position with the Melbourne Symphony Orchestra, and has appeared as guest principal with Orchestra Victoria and the Tasmanian Symphony Orchestra.

Helen has tutored for the Australian Youth Orchestra’s Young Australian Concert Artists and Young Symphonists programs, continuing a long association that started when she toured as concertmaster of the AYO to Asia, New Zealand, Japan, Europe and America.

As a regular chamber music recitalist and founding member of the Seraphim Trio, Helen is a guest of the Sydney International Piano competition and appears at music festivals throughout Australia.

Helen’s solo repertoire includes the Sibelius, Beethoven triple and Brahms double concertos. Her previous teachers have been Alice Waten, William Hennessy and Beryl Kimber. She currently lives in London where she performs as a member of the London Philharmonic Orchestra and is undertaking a year of pedagogical observation at the Yehudi Menuhin School. Helen is delighted to have performed as Concertmaster of the Tait Chamber Orchestra.

Anna Goldsworthy

Anna is a founding member of Seraphim Trio, and records for the ABC Classics label. She is currently a Lecturer at the Elder Conservatorium of Music, Research Fellow at the J.M. Coetzee Centre for Creative Practice at the University of Adelaide, and Kenneth Moore Memorial Music Scholar at Janet Clarke Hall. Described by The Australian as a ‘musical ambassador’, and the Sydney Morning Herald as “one of the very best young non-fiction writers in Australia”, Anna Goldsworthy is an award-winning pianist and writer. Her first book, Piano Lessons, is an Australian best-seller and has been released in the United States and Korea, adapted for the stage, and is currently in development as a film. Anna’s writing has appeared in The Monthly, The Age, The Australian, and Best Australian Essays. Her new memoir Welcome to Your New Life is now available and her Quarterly Essay was released in June 2013.

Timothy Nankervis

Timothy studied at the Australian Institute of Music with Lois Simpson, graduating with Honours in 1998. He was awarded a Big Brother scholarship in 1995 and travelled to London where he studied with William Pleeth and Raphael Wallfisch. In 1999, he took up a scholarship to study with Vadim Chervov at the Tchaikovsky National Academy of Music in Kiev.

He returned to Australia and completed his Master’s degree at the University of Melbourne in 2002, studying with Nelson Cooke. He has also studied with Georg Pedersen, Denise Lawrence and David Berlin and prior to his appointment with the Sydney Symphony Orchestra, he was enrolled as a Doctoral candidate at the University of Melbourne.

In 2000 he performed in a competition at the Australian National Academy of Music and was one of two musicians selected to perform as a soloist with Orchestra Victoria, playing Tchaikovsky’s Rococo Variations. Timothy Nankervis has won numerous awards for cello performance and chamber music and is a member of the acclaimed Seraphim Trio as well as performing with the Sydney Soloists and Linden String Trio. In 2004 and 2008, he performed with his colleague from the Seraphim Trio, violinist Helen Ayres, in the Sydney International Piano Competition to provide competitors with a piano trio for the chamber music component of the competition.

As a soloist, Timothy Nankervis has performed throughout Australia and has featured in numerous broadcasts for ABC Classic FM and 2MBS-FM.

Tait Patron: Danielle De Niese on The Barber of Seville | Glyndebourne

Our Patron, Australian soprano, Danielle de Niese starred in the  Glyndebourne 2016 production of The Barber of Seville. The BBC has just announced its Christmas schedule and we are delighted to share the news that the acclaimed production will be shown on BBC Four this December. The broadcast will be preceded by a documentary that follows Danielle de Niese in her preparations for the role of Rosina.

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Birth of an Opera:
Danielle de Niese on The Barber of Seville
7.00pm, Sunday 18 December, BBC Four

Offering unparalleled insight into the process of staging an opera, the documentary follows Danni as she prepares to make her debut in the opera’s starring role of Rosina. It also features interviews with director Annabel Arden, conductor Enrique Mazzola, designer Joanna Parker and key Glyndebourne figures.

Il barbiere di Siviglia

Immediately afterwards, at 8.00pm, audiences can watch the opera in full, recorded live this summer.

Source: Glyndebourne

Leanne Benjamin joins Prix de Lausanne panel 2017 | Gramilano

We are delighted to report that our Patron, Leanne Benjamin AM OBE, has been asked to join the jury of the prestigious Prix de Lausanne 2017. This is a great honour and acknowledges Leanne’s stature in the world of classical ballet.

 Leanne Benjamin in The Royal Ballet's Manon ©ROH Johan Persson, 2011
Leanne Benjamin in The Royal Ballet’s Manon ©ROH Johan Persson, 2011

This year the Tait Memorial Trust, Leanne Benjamin Awards proudly supports three young Australian dancers:

Lauren Songberg, ballet – English National Ballet School
Chloe Keneally, ballet – English National Ballet School
Rebecca Blenkinsop, ballet – Royal Ballet School

The article below was published by gramilano.com on the 30th November.

Jury members announced for the Prix de Lausanne 45th edition

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The jury of 2017 is composed of nine major personalities from the dance world, presided over by the ’s Director, Kevin O’Hare.

O’Hare said,

The Prix de Lausanne is a wonderful opportunity for me to see the talented dancers of tomorrow. I see it as more than a competition; it is a place where our young dancers are encouraged, cared for and given the feedback that provides the foundation for their future careers.

Each of the jurors has a link with one of the competition’s partner schools and companies, or is a former prize winner. Other aspects taken into consideration in forming the panel are having a wide geographical representation, a mix of experiences, and a representation of different styles of dance.

The jury of this edition is made up of the following members:

  • Kevin O’Hare: Director, Royal Ballet London – President of the jury (England)
  • Leanne Benjamin: Prix de Lausanne Laureate 1981 (England)
  • Paola Cantalupo: Artistic and Educational Director, Ecole Supérieure de Danse Cannes-Mougins Rosella Hightower and Prix de Lausanne Laureate 1977 (France)
  • Gigi Hyatt: Director of Education and Deputy Director, Hamburg Ballet (Germany)
  • Sue Jin Kang: Artistic Director, Korean National Ballet (Korea)
  • Goyo Montero: Ballet Director and Choreographer, Staatstheater Nürnberg and Prix de Lausanne Laureate 1994 (Germany)
  • Aki Saito: Prix de Lausanne Laureate 1991 (Japan)
  • Christian Spuck: Artistic Director, Zurich Ballet (Switzerland)
  • Stanton Welch: Artistic Director. Houston Ballet (United-States)

Shelly Power, who is the Artistic Director and Chief Executive Officer for the 2017 Prix de Lausanne, said,

I am honored to present the 2017 jury who collectively bring years of experience ranging from teaching, performing, directing and choreographing worldwide. Kevin O’Hare as President and his team of jury members will open doors and make dreams come true for the talented few who are about to embark on the next and perhaps most important step of their careers.

 

Booking
Tickets for all Prix de Lausanne 2017 events go on sale 15 December 2016
on prixdelausanne.org

 

Source: Jury members announced for the Prix de Lausanne 45th edition

Helen Sherman makes Strauss debut in Der Rosenkavalier, Opera North

Lovely to hear from 2007 Tait Awardee, Helen Sherman. Helen had great success in the 2011 Cardiff Singer of the World as Australia’s representative in this career making competition. She won the third prize in the Wigmore Hall/Kohn Foundation International Song Competition in 2013.
As you can see from her year in review below, Helen is now singing in the very best houses and is an international singer of repute. This recording of Vivaldi’s, Bajazet by Pinchgut Opera has just been released. We look forward to hearing more about this exciting artist.
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Available now from Fish Fine Music http://www.fishfinemusic.com.au/products/PG007/Pinchgut-Opera/Vivaldi-Bajazet/CD and also at http://www.pinchgutopera.com.au/cds/bajazet
Update from Helen
2016 has been a challenging and exciting year for me. Highlights included singing Dorabella in Opera North’s revival of Tim Albery’s production of ‘Cosi fan Tutte’ and Donna Elvira for Classical Opera’s Don Giovanni at Cadogan Hall. The jewel of the year for me however, was making my Strauss debut as Octavian in David McVicar’s iconic production of ‘Der Rosenkavalier’ with Opera North. There was something quite ‘out-of-body’ about having Sarah Connolly’s name stitched into my trousers! The music in ‘Der Rosenkavalier’ is really out of this world and this production is beautiful in every way. I really learned so much from this role. We sang a show the night the divisive US election result was announced; it reminded me how truly blessed we are as musicians to be able to transcend this world and all it’s troubles through our work. It also re-emphasised to me how relevant and important music is; it proves that together we can do incredible things.

Source: Helen Sherman

Jessica Cottis: “There’s still a block for women conductors” – Limelight Magazine

The conductor of this year’s Tait Memorial Trust concert on gender, education and musical styles.

It’s that time of year again in London when the beautiful concert hall at St. John’s Smith Square is taken over by the Australian, Tait Memorial Trust.

The venue will be filled with talented Australian musicians and singers, many having benefitted from a Tait music scholarship. November 30th will be an opportunity for audiences to hear a wonderful programme of music and spot the Australian stars of the future.

If you are living in London or have friends over there, you should rush to get tickets. Conducting and curating this concert will be the internationally acclaimed Australian-born conductor, Jessica Cottis. On a wet and stormy London morning we manage to Skype and I ask first about her involvement with the Tait Memorial Trust.

“I sit on their advisory board and together we make the artistic decisions for programming concerts,”

she says.

“I benefitted from a Tait scholarship myself so feel really excited to be working with students and professionals who have come up through the same route.”

—–READ MORE—–

Source: Jessica Cottis: “There’s still a block for women conductors”

Tait Awards 2016

The Tait Memorial Trust is pleased to be assisting these fine young Australian artists in 2016.

The Tait Adopt a Performer scheme
The adopt a performer scheme allows a donor to directly support a young Australian performing artist annually for a three-year commitment. Please click here to learn how to actively involve yourself in the career development of a young performer.

The greatest return, however, would be to see your awardee fulfill their true potential and, as they graduate to a professional career, the pleasure of knowing that you played an important part in making this possible.

Royal College of Music
Tait Scholar – The Julian Baring family
The Royal College of Music
Sally Law, Violin
To learn more about Sally please click here

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Sally Law, Tait Scholar

Royal Northern College of Music
Higgins Scholar – The Higgins family
Waynne Kwon, Cello
To learn more about Waynne please click here

Waynne Kwon, cello, Higgins Family scholar
Waynne Kwon, Higgins Scholar

The Leanne Benjamin Awards 

selected by Leanne Benjamin AM OBE.

Financial assistance and support for young Australian dancers studying at major UK ballet schools

John Frost – Leanne Benjamin Award
The Royal Ballet School
Rebecca Blenkinsop

Rebecca Blenkinsop
Rebecca Blenkinsop

Leanne Benjamin Award
The English National Ballet School
Chloe Keneally

Chloe Keneally, Leanne Benjamin Awards 2016. The English National Ballet School
Chloe Keneally

Leanne Benjamin Award
The English National Ballet School
Lauren Songberg

Lauren Songberg
Lauren Songberg

Partner Award Funding

Royal Over-Seas League Tait Prize
Award funded by Chevalier Richard Gunter
Australian musician showing the most promise
Ann Beilby, Viola

annie-beilby
Ann Beilby

John Frost, Frank and Viola Tait Award
Australian International Opera Awards
Nathan Lay, Baritone

Nathan Lay
Nathan Lay

Bel Canto Awards
Joan Sutherland & Richard Bonynge Foundation
A Concert platform for a young Australian/New Zealand singer
Emma Moore, Soprano

Emma Moore
Emma Moore

Tait & Sir Charles Mackerras Chair
A Chair in the Southbank Sinfonia for the duration of the annual programme. This award is made possible due to a generous gift from the Estate of Lady Mackerras to fund a portion of the Chair for at least the next 10 years. This year the Tait contribution to this award has been made by Stephanie McGregor & Albert Kwok.

Sujin Park
Sujin Park

John Amis Award
Dartington International Summer School
For a 1 week course of intensive study for an Australian musician
Matthew Thomson, Tenor

Matthew Thomson
Matthew Thomson

Extraordinary Awards

Margaret Rodgers Award
Selected by Margaret Rodgers personally
Cameron Campbell, Viola

Cameron Campbell
Cameron Campbell

Margaret Rodgers Award
Selected by Margaret Rodgers personally
Nick Mooney, French Horn

Nicholas Mooney
Nicholas Mooney

Whalley and Tait Gift
Special funding to assist with the purchase of a 1930 Natale Carletti (Bologna), Viola
from the Whalley family and the TMT
Lisa Bucknell, Viola

Lisa Bucknell
Lisa Bucknell

Tait General Awards

Award funded by The Thornton Foundation
To assist with continued private study
Andrey Lebedev, Guitar

Andrey Lebedev
Andrey Lebedev

Award funded by the VEC Acorn Trust
To assist with continued private study
Jo Dee-Yeoh, Cello

Jo Dee Yeoh
Jo Dee Yeoh

Award funded by The Thornton Foundation
To assist with continued private study
Vivien Conacher, Mezzo-Soprano

Vivien Conacher
Vivien Conacher

Award funded by The Hunter family
To assist with continued private study
Krystal Tunnicliffe, Piano Accompanist

Krystal Tunnicliffe
Krystal Tunnicliffe

Award funded by Louise Worthington
To assist with continued private study
Ashlyn Tymms, Mezzo Soprano

Ashlyn Skye Tymms
Ashlyn Skye Tymms

Professional Ballet Dancer to Business Owner | Claudia Dean Coaches For Success | Ballet News

Former Tait Awardee Claudia Dean graduated from The Royal Ballet School in August 2011, having moved to London aged 16 to train at the Upper School in Covent Garden. She was the recipient of the Tait Memorial Trust, Dance Arches Award in 2011, and went on to be offered a contract by The Royal Ballet. In 2014 Claudia made the difficult decision to return home to Australia, we are delighted to see that this very talented young dancer is passing the baton to the next generation of aspiring dancers in her homeland. We wish her all the very best and look forward to hearing more about her work in Australia.

The article below was published by Ballet News, May 2015.

Claudia Dean | Ballet Dancer to Business Owner

Sprezzatura is the Italian word for nonchalance; the effortless art of making something difficult look easy. The sustained hard work needed to conceal the effort has been a hallmark of Claudia Dean’s training and professional ballet career.

Claudia Dean graduated from The Royal Ballet School in August 2011, having moved to London aged 16 to train at the Upper School in Covent Garden. In her native Australia she had been dancing since the age of four, and had won a number of prestigious competitions including the Gold Medal plus the Audience Choice Award at the Genée International Ballet Competition in 2009.

I interviewed Dean for my Student to Star series at the time of her graduation, a few weeks before she started work in the Company, and I asked her what she anticipated the differences might be between school and company life. She told me, “I think it’s going to be a bit of a change for me. I will be my own person having to be responsible for myself.  At school, you have teachers guiding you, although we work for ourselves, there is still a lot of extra support. Also, no uniform! I will have to decide what to wear each day which will be very different !”

—–READ MORE—–

Source: Professional Ballet Dancer to Business Owner | Claudia Dean Coaches For Success | Ballet News | Straight from the stage – bringing you ballet insights

Where it all began – Interview: Liane Keegan – Classic Melbourne

Our Inaugural Concert at Australia House, 1992.
Our Inaugural Concert at Australia House, 1992

Lovely interview with our first awardee, Liane Keegan. Liane was the reason that Isla Baring created the Tait Memorial Trust in 1992.

Liane Keegan with Isla Baring
Liane Keegan with Isla Baring

Liane wanted to further her studies in the UK but needed financial assistance to allow her to continue. Isla offered to produce a concert at Australia House, invited her friends,  and due to their generosity raised a great deal of money and the Trust was born…well it wasn’t quite that simple but that is how we started. 

Now 24 years later the Trust has helped over 300 young Australians and has raised more than £600,000 to assist young Australian performing artists to complete their studies in the United Kingdom. And it all began with a young contralto from Victoria.

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Derek Nimmo with Isla Baring at the first Tait Event 1992

Now we are thrilled to see Liane is at the very top of her chosen profession and is singing Erda in the Neil Armfield production of Wagner’s epic Ring at Melbourne’s State Theatre, with Opera Australia.

Below is her interview with fellow Australian, Deborah Humble that was published in Classic Melbourne


Deborah Humble talks with dramatic contralto Liane Keegan about her musical life in Melbourne and recreating the role of Erda in the 2016 Melbourne Ring.

What motivated your return to Australia in 2012 and what is your perception of the cultural and artistic life here by comparison?

I no longer enjoyed working in opera in Germany. I had been living overseas for 20 years by this stage and felt it was time to come home.

The fest system stifles individual development if you are an ensemble member as I was at the Deutsche Opera. Without being able to supplement my monthly stipend with guest contracts it was also no longer financially viable to remain in Germany.

Since my return to Melbourne my life has been extremely happy and fulfilled. I have had some wonderful opportunities with my singing and my teaching studio was very quickly established and I now have many talented young singers working with me on a weekly basis. I also established XLArts.org, a not for profit group, with conductor Patrick Burns and we work to provide performance opportunities for developing singers of all ages and stages, to help them further develop their craft and skill set as burgeoning opera singers.

The opera and arts scene here in Australia is very different to Europe. In Australia we don’t have the commitment to the arts that the Europeans do either financially or culturally. In Europe very young children are taken to the opera not as a special treat but as a part of their daily life. Here the companies are working hard on this next generation of opera lover and there is some very fine work being done by these companies in Australia. However, I do not feel that more funding to the Arts is the answer but better education. The lack of music education in schools here now means that exposure for the young to art and culture is just not there in their foundation years and that is vitally important to the future of our artistic culture.

Melbourne is fabulously cultural and creative and certainly has the most going on in the field of opera of all our capital cities. I was amazed and rather overwhelmed by the choice of entertainment available and could not get over how much the arts scene had “exploded” in Melbourne since my departure in 1992. It is fabulous to see that there are companies and groups catering to the needs of performers at all levels and to suit all musical tastes. I was thrilled that we still have a Victorian opera company as I was overseas during the demise of its predecessor and that made me very sad indeed.

The orchestras in Melbourne are also world class and I have been most fortunate to work with the Royal Melbourne Philharmonic and the Melbourne Symphony Orchestra as well as the many and varied community and council sponsored orchestras. We now have the Melbourne Recital Centre and the vast amount of performances offered there are of an extremely high standard. As an audience member all my needs are catered for and I am more often than not, spoilt for choice! My needs as a performer are also met here in Melbourne and I am busier than I ever was in Europe….

Read More

Source: Interview: Liane Keegan – Classic Melbourne

Article details:Interview: Liane Keegan
Published: 14th November, 2016 Author: Deborah Humble

Deborah Humble joins the Music Board of the Tait Memorial Trust

Acclaimed for her performances of the works of Richard Wagner, Australian mezzo-soprano, Deborah Humble is one of Australia’s most successful international singers. She has appeared at the Edinburgh Festival, Festival d’Aix-en-Provence, Salzburg Easter Festival, Seattle Symphony, with the Stuttgart Philharmonic, the Hamburg Philharmonic and the London Mozart Players and at the Théâtre du Châtelet in Paris. We are delighted to confirm that Deborah has agreed to join the Music Board, of esteemed Australian performers and artists, of the Tait Memorial Trust.

After gaining a Bachelor of Music from the University of Adelaide and a Masters Degree from the University of Melbourne, Deborah was a member of the Victoria State Opera Young Artist Programme. Having been a Principal Artist for both Opera Australia and The State Opera of Hamburg she has embarked upon a freelance career which takes her all over the world. Deborah is a highly sought after adjudicator and advanced teacher in Australia and recently gave a master class for the Melba Trust in Melbourne, as part of her role as a Mentor with the Trust, and was also invited to adjudicate for the Sydney Eisteddfod

The Music Board and the Artistic Planning Committee bring their vast international experience to assist us in selecting our Annual awards. Over the past three years our awards have more than doubled, and have  increased to £40,000 per annum, with several awards of £5,000 per awardee, the selection process is vital to ensure the most deserving and talented young artists are supported in their studies.

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Deborah Humble, Mezzo-Soprano

Deborah joins our Music Board which is chaired by TMT Chairman, Isla Baring OAM

Caroline Almonte, Concert Pianist
Julian Gavin, Operatic Tenor
Dr Leslie Howard, Concert Pianist
Deborah Humble, Operatic Mezzo-Soprano
Liane Keegan, Operatic Dramatic-Contralto
Cameron Menzies, Stage & Opera Director
Anthony Roden, Operatic Tenor & Teacher

Tait Artistic Planning
Jessica Cottis, Conductor
Jayson Gillham, Concert Pianist
Katrina Sheppeard, Operatic Soprano
Chad Vindin, Accompanist

To apply for a Tait Award please check our website here for further information.