Jayson Gillham shows why he has the world at his fingertips | News Local

Lovely article from the Daily Telegraph about Tait Awardee, Jayson Gillham, and a stunning review for his City Recital Hall concert in Sydney on the 24th October. His tour now continues to Adelaide with the Adelaide Symphony and then ends with a sold-out recital at the Melbourne Recital Centre.

CHILDHOOD piano lessons for brilliant young virtuoso Jayson Gillham’s meant a 500km round car trip with his mum from his home in Dalby, Queensland. All those miles and effort paid off when, at the age of 17, he reached the semi-finals of the gruelling Sydney International Piano Competition. A scholarship and move to London, where he is now based, added further polish and eventually led to a Masters degree at the Royal Academy of Music. Now he is back on home ground after a much-acclaimed Sydney Symphony debut earlier this month performing Beethoven’s Piano concerto No. 4 with piano great Vladimir Ashkenazy conducting. And, as part of that triumphal tour, Gillham played a program of Bach, Handel, Beethoven and Schumann in the latest of the SSO’s International Pianists In Recital series. He opened with what he describes as a “here I am” piece in Bach’s Toccata and fugue in C minor BWV 911, which incidentally opens his newly-released debut recording for ABC Classics. 

DAZZLING 

The work, with its deft interplay between left and right hand, showed off Gillham’s grace and elegance, as well as a dazzling and smoothly-controlled technique. His articulation and accuracy in both hands, complemented by astute use of the sustain pedal, meant that all the “voices” of the double fugue came through with crystal clarity. The prodigious variations in Handel’s Chaconne in G indulged Gillham’s flashier side, albeit seasoned with great taste, sensitivity and judgment. This was a reading carved not of granite, but more one of polished marble Beethoven considered Handel the greatest composer of them all so the eight-minute set of variations made an apt curtain-raiser to the final piece of the first half, the Waldstein sonata. Here the 30-year-old soloist forsook blood and guts for a more refined approach to Beethoven and at times the rondo finale was a little rushed. 

This was a reading carved not of granite, but more one of polished marble. 

Jayson Gillham performs Chopin. 
The second half was all Romance with Schumann’s lengthy piano workout, the Etudes symphoniques, which complete with the five posthumous variations clocks in at 37 minutes. This listener would have preferred the Schubert sonata Gillham performs on his new CD! As if this set of 12 variations wasn’t enough to convince the audience of Gillham’s prowess, the encores were. Liszt’s Paraphrase on Verdi’s Rigoletto quartet is a favourite showstopper, but Gillham had more. The evening started with and ended with Bach, albeit Rachmaninoff’s spectacular transcription of the violin partita No.3. If, like Bach, Gillham wanted to announce “Here I am!”, we all certainly got the message loud and clear.

DETAILS

Steve Moffatt, NewsLocalOctober 25, 2016 8:07am

October 25, 2016 8:07am

●CONCERT: Jayson Gillham in recital

●WHERE: City Recital Hall Angel Place

●WHEN: Monday, October 24

Source: Jayson Gillham shows why he has the world at his fingertips | News Local

Who will be Limelight's Artists of the Year? You decide

Below is the link to vote for Limelight’s Artist of the Year. We are thrilled to see that Tait Awardees;  Amy Dickson, saxophone & Jayson Gillham, piano, have been nominated.

amy-dickson
Amy Dickson

Amy was recently awarded the honour to be the Young Australian of the Year in the UK for 2016, the latest accolade in a quickly growing list of prizes. The UK Australia Day Awards, introduced by the non-profit Australia Day Foundation, recognise those Australians who excel in their fields in the United Kingdom.
Australia Day Foundation Director, Dick Porter said: “Amy is an outstanding young Australian and we are delighted to recognise her success with this award.”
The award was presented by the Australian High Commissioner, the Honourable Alexander Downer AC at Australia House, London.

Jayson is currently enjoying great success in Australia, to date he has played at QPAC in recital for Medici Concerts, Beethoven’s 4th piano concerto with the Sydney Symphony, a recital at Sydney’s Recital Hall and he is to play Beethoven’s 3rd piano concerto with the Adelaide Symphony, his tour ends with a recital in the Melbourne Recital Centre.

Jayson Gillham
Jayson Gillham

Who will be Limelight’s Artists of the Year?

Vote here for who you’d like to see honoured in our Australian and International Artists of the Year Awards.

Each year, Limelight’s experienced team of reviewers painstakingly selects a group of winning recordings in each of five categories for our annual Recording of the Year Awards. In addition, this year our critics have created a shortlist of 40 outstanding musicians and ensembles – 20 Australian and 20 International artists – for our annual Limelight Artists of the Year Awards.

Some are established artists and some are relative newcomers. Several of the international artists have thrilled Australian audiences in performance while others have released stunning recordings or have achieved accomplishments of note in their field. The nominees include performers, composers, ensembles and conductors, all of whom are in the running to win one of two inaugural Limelight Artist of the Year Awards.

Now it’s your chance to be involved. We’d like you, Limelight readers, to vote for the Australian and international artist that you would most like to see honoured. The public vote will then be combined with the votes of our critical panel, and the announcement of the lucky winners will be made in our special holiday issue of Limelight, out January 5, 2017. And please note, for the purposes of these awards, a non-Australian with a post at an Australian orchestra has been counted as an Australian artist rather than as an International.

Voting closes at midnight on Sunday November 6

Australian Artists

Australian Haydn Ensemble
Australian World Orchestra
Nicole Car
Brett Dean
Amy Dickson
Ross Edwards
Asher Fisch
Jayson Gillham
Richard Gill
Erin Helyard
Elena Kats-Chernin
Piers Lane
Latitude 37
Emma Matthews
Joseph Nolan
Dene Olding
Alondra de la Parra
Seraphim Trio
Stuart Skelton
Richard Tognetti

International Artists

Pierre-Laurent Aimard
Choir of Trinity College Cambridge
Joyce DiDonato
Christoph von Dohnányi
Mahan Esfahani
Franco Fagioli
Susan Graham
Nikolaus Harnoncourt
Stephen Hough
Jerusalem Quartet
Lang Lang
Paul Lewis
Felicity Lott
Pumeza Matshikiza
Andris Nelsons
Jordi Savall
Takacs Quartet
Daniil Trifonov
Yuja Wang
John Wilson


Please note: By entering this poll you agree to receive Limelight’s Weekly Newsletter. If you already receive our Weekly Newsletter you still need to fill out the form; this will update your information with your vote. If you have any trouble accessing the voting button above, please click here.

by Limelight Magazine on October 14, 2016 (October 14, 2016) filed under Classical Music | Orchestral | Chamber | Instrumental | Vocal & Choral | Opera | Comment Now

Source: Who will be Limelight’s Artists of the Year? You decide

Thomas Rann, Cello to play with the Australia Quartet 31st October, Sydney Opera House

Australia Quartet celebrates Halloween with Schoenberg’s Verklärte Nacht (‘Transfigured Night’), Schumann’s beloved Piano Quartet and Australian composer, Elena Kats-Chernin’s irresistible work, ‘Scherzino’. Tait Awardee, Thomas Rann was recently in London….wonderful artist

Australia Quartet
Australia Quartet

Description

Australia Quartet celebrates Halloween 2013 with a one-night-only concert on Thursday 31 October at Sydney Opera House. Transfigured Night, Schoenberg’s gothic masterpiece anchors a remarkable program which includes a world premiere and performance by internationally renowned Australian composer, Elena Kats-Cherni

Tamara-Anna Cislowska, piano

Veronique Serret, violin

James Wannan, viola

Thomas Rann, cello

Thomas Rann – Tait Awardee 2003

Thomas Rann, Cello
Thomas Rann, Cello

“an extraordinary talent with wonderful musical temperament and control of the instrument.”

In Martinu’s Variations on a theme of Rossini, this finely gifted young cellist’s qualities came to the fore – he demonstrated such superb musicianship throughout the programme that one eagerly looks foward to hearing Thomas Rann many times in the future.”

Thomas Rann is increasingly recognised as the most exciting young cellist to have emerged from Australia in recent years.

In 2008, Thomas Rann gives his Wigmore Hall recital debut with pianist Wu Qian, made his debut with the Queensland Orchestra under Vladimir Verbitsky (Tchaikovsky Pezzo Capriccioso and Andante Cantabile) and will give a recital for the inaugural Adelaide International Cello Festival. He will also make his Cadogan Hall debut performing Strauss Don Quixote with the London Phoenix Orchestra and his US recital debut in New York City.

Born in Adelaide, Thomas Rann commenced his cello studies at the age of nine under the tuition of Ruth Saffir and Niall Brown (University of Adelaide). In 2000, Thomas Rann entered the Guildhall School of Music and Drama, London, as the only pupil of distinguished English cellist Raphael Wallfisch.   He is now based in London.

Throughout his studies in the United Kingdom, Thomas Rann has performed at venues including Wigmore Hall, St Martin-in-the-Fields, St James’ Piccadilly, Australia House, St James’ Palace and Westminster Abbey. He has appeared at  the Festivals of Courchevel, Schleswig-Holstein, Radolfzell, Brighton (UK), London Festival of Jewish Culture, and Verbier (Switzerland). Thomas Rann’s concerto appearances include performances with the Melbourne Symphony Orchestra, Adelaide Symphony Orchestra, Preston Symphony Orchestra,  Australian National Academy of Music Orchestra, London Phoenix Orchestra and the Melbourne Sinfonia.

Winner of the prestigious Muriel Taylor Scholarship for Cellists (London, 2004) – previous laureates include Steven Isserlis, Raphael Wallfisch and Alexander Baillie – Thomas Rann undertook a two-year mentorship in Sydney in 2004 with Professor Uzi Wiesel. Highlights of the 2004/2005 season included recitals at the French and Finnish Embassies in Canberra and a performance at the Institut Franco-Japonais in Tokyo, Japan, for television broadcast in Japan, the USA and Russia. He also peformed at the Kronberg International Cello Festival in Frankfurt, Germany, won the Australian National Academy of Music’s Concerto Competition and was featured as a “rising star” soloist with the Melbourne Symphony Orchestra for ABC Classic FM’s Young Australia program.

In 2006, Thomas Rann made his widely acclaimed debut with the Adelaide Symphony Orchestra as soloist in the ‘Symphony Under the Stars’ outdoor concert before an audience of 30,000. During the same year, Thomas Rann was awarded the E.V. Llewellyn Memorial Scholarship for String Players  and a Senior Award following the Hattori Foundation Final in London. He was also selected as a finalist for the 2006 Music Council of Australia Freedman Fellowship. Other highlights of 2006 included a recital with Sydney International Piano Competition prize-winner Evgeny Ukhanov for ABC Classic FM’s “Rising Stars” programme, broadcast throughout Australia; his Musica Viva debut at a special function held in Sydney ; and a performance at the International Cello Seminar in Israel.

Thomas Rann has appeared as soloist with the Camden Chamber Orchestra and City of London Chamber Orchestra and has continued his regular recital partnerships with pianists Wu Qian and Leslie Howard. Other highlights included appearances for the Tait Memorial Trust at the Royal Overseas League, chamber music and solo performances at the Verbier Festival (Switzerland) and at the London School of Economics Shaw Library Series.

Thomas Rann has been the recipient of generous support from the Ian Potter Cultural Trust, E.V. Llewellyn Memorial Scholarship, the Australia Council for the Arts, the Hattori Foundation for exceptionally talented soloists (London), PPCA Foundation and the Tait Memorial Trust. He has also benefited greatly from the guidance of artists such as Gavriel Lipkind, Karine Georgian, Bernard Greenhouse, Frans Helmerson, Heinrich Schiff, Ralph Kirshbaum, Gary Hoffman, Steven Isserlis and Ivry Gitlis. He is grateful for the use of a fine 18th Century Italian cello owned by the late R.A.G. Holmes AM.

The biography belowis courtesy of Robert Gilder & Co.

Cello

Thomas Rann

“an extraordinary talent with wonderful musical temperament and control of the instrument.”

In Martinu’s Variations on a theme of Rossini, this finely gifted young cellist’s qualities came to the fore – he demonstrated such superb musicianship throughout the programme that one eagerly looks foward to hearing Thomas Rann many times in the future.”

Thomas Rann is increasingly recognised as the most exciting young cellist to have emerged from Australia in recent years.

In 2008, Thomas Rann gives his Wigmore Hall recital debut with pianist Wu Qian, made his debut with the Queensland Orchestra under Vladimir Verbitsky (Tchaikovsky Pezzo Capriccioso and Andante Cantabile) and will give a recital for the inaugural Adelaide International Cello Festival. He will also make his Cadogan Hall debut performing Strauss Don Quixote with the London Phoenix Orchestra and his US recital debut in New York City.

Born in Adelaide, Thomas Rann commenced his cello studies at the age of nine under the tuition of Ruth Saffir and Niall Brown (University of Adelaide). In 2000, Thomas Rann entered the Guildhall School of Music and Drama, London, as the only pupil of distinguished English cellist Raphael Wallfisch.   He is now based in London.

Throughout his studies in the United Kingdom, Thomas Rann has performed at venues including Wigmore Hall, St Martin-in-the-Fields, St James’ Piccadilly, Australia House, St James’ Palace and Westminster Abbey. He has appeared at  the Festivals of Courchevel, Schleswig-Holstein, Radolfzell, Brighton (UK), London Festival of Jewish Culture, and Verbier (Switzerland). Thomas Rann’s concerto appearances include performances with the Melbourne Symphony Orchestra, Adelaide Symphony Orchestra, Preston Symphony Orchestra,  Australian National Academy of Music Orchestra, London Phoenix Orchestra and the Melbourne Sinfonia.

Winner of the prestigious Muriel Taylor Scholarship for Cellists (London, 2004) – previous laureates include Steven Isserlis, Raphael Wallfisch and Alexander Baillie – Thomas Rann undertook a two-year mentorship in Sydney in 2004 with Professor Uzi Wiesel. Highlights of the 2004/2005 season included recitals at the French and Finnish Embassies in Canberra and a performance at the Institut Franco-Japonais in Tokyo, Japan, for television broadcast in Japan, the USA and Russia. He also peformed at the Kronberg International Cello Festival in Frankfurt, Germany, won the Australian National Academy of Music’s Concerto Competition and was featured as a “rising star” soloist with the Melbourne Symphony Orchestra for ABC Classic FM’s Young Australia program.

In 2006, Thomas Rann made his widely acclaimed debut with the Adelaide Symphony Orchestra as soloist in the ‘Symphony Under the Stars’ outdoor concert before an audience of 30,000. During the same year, Thomas Rann was awarded the E.V. Llewellyn Memorial Scholarship for String Players  and a Senior Award following the Hattori Foundation Final in London. He was also selected as a finalist for the 2006 Music Council of Australia Freedman Fellowship. Other highlights of 2006 included a recital with Sydney International Piano Competition prize-winner Evgeny Ukhanov for ABC Classic FM’s “Rising Stars” programme, broadcast throughout Australia; his Musica Viva debut at a special function held in Sydney ; and a performance at the International Cello Seminar in Israel.

Thomas Rann has appeared as soloist with the Camden Chamber Orchestra and City of London Chamber Orchestra and has continued his regular recital partnerships with pianists Wu Qian and Leslie Howard. Other highlights included appearances for the Tait Memorial Trust at the Royal Overseas League, chamber music and solo performances at the Verbier Festival (Switzerland) and at the London School of Economics Shaw Library Series.

Thomas Rann has been the recipient of generous support from the Ian Potter Cultural Trust, E.V. Llewellyn Memorial Scholarship, the Australia Council for the Arts, the Hattori Foundation for exceptionally talented soloists (London), PPCA Foundation and the Tait Memorial Trust. He has also benefited greatly from the guidance of artists such as Gavriel Lipkind, Karine Georgian, Bernard Greenhouse, Frans Helmerson, Heinrich Schiff, Ralph Kirshbaum, Gary Hoffman, Steven Isserlis and Ivry Gitlis. He is grateful for the use of a fine 18th Century Italian cello owned by the late R.A.G. Holmes AM.

Robert Gilder & Co.
91 Great Russell Street
London WC1B 3PS
United Kingdom
Robert Gilder
Managing Director
e: rgilder@robert-gilder.com
p: +44 (0)20 7580 7758
f: +44 (0)20 7580 7739
Robert Gilder & Co.
91 Great Russell Street
London WC1B 3PS
United Kingdom
Robert Gilder
Managing Director
e: rgilder@robert-gilder.com
p: +44 (0)20 7580 7758
f: +44 (0)20 7580 7739