Tag: John Frost AM

Tait Awardees, Rebecca Blenkinsop and Breanna Foad join English National Ballet

Below is an article recently published in Ballet News about Tait Awardee, Rebecca Blenkinsop. Rebecca has been supported by an award from the Tait funded by Australian Impressario, John Frost AM. We are delighted to see she has had such great success.

Good news come in twos as another Leanne Benjamin Awards recipient, Breanna Foad has also been offered a contract from the English National Ballet.

Breanna was born and lived on the Gold Coast, Queensland, Australia until the age of 14. She was then accepted into The Australian Ballet School, Melbourne Australia for full time ballet studies. In January 2016 Breanna auditioned for the chance to be accepted into the English National Ballet School in London and was one of only three Australians to be selected and offered a place. She then left The Australian Ballet School and started in September 2016 into 2nd year of a three-year full time course in London.

We are thrilled for them both!

From Student To Star | Rebecca Blenkinsop | The Royal Ballet School
by  on July 13, 2018 in From Student to Star

Rebecca Blenkinsop

Rebecca Blenkinsop

From Student to Star is an interview series featuring graduates from vocational ballet schools as they begin their professional careers. The questions have been updated to reflect reader feedback; I hope you find them helpful.

Rebecca Blenkinsop, The Royal Ballet School, 2017, Credit: Johan Persson

Rebecca Blenkinsop, The Royal Ballet School, 2017, Credit: Johan Persson

You’ve been studying at The Royal Ballet School. When did you join the School and what made you decide to train there?

I joined the school in September 2015 and I decided to go there due to its renowned classical ballet training and it had been a dream of mine.

Prior to joining RBS, where did you train, and how early did you start ballet ?
Before I joined RBS I trained at The Victorian College of the Arts Secondary School at the age of 11.
What do you think are the important things to focus on during training if you hope for a vocational career as a ballet dancer?

I personally believe during training that it is so important to focus on yourself and your own personal journey without comparing yourself to others, everyone progresses at different rates. Listen to your body and be aware of aspects of your training which you need to improve and focus on that. Also take advantage of any performance experiences that you get and cherish these moments as a chance to develop yourself as an artist. And finally never forget why you do what you do, find constant inspiration in other dancers around you and professionals that inspire you.

Have you entered any competitions during your training and if so, which ones, and what would you say about your experiences ?

In 2015 I participated in the Prix de Lausanne from which I was fortunate enough to receive a place at The Royal Ballet School. I have to say this was one of the best experiences of my life. I particularly liked the process of the competition as it gives all of the dancers an opportunity to be seen in classes throughout the week as well as onstage in a performance setting. I was lucky enough to make it through to the finals which was an incredible experience, although I must say I found dancing on the raked stage incredibly challenging as I was not used to working in these conditions; however I still really enjoyed the performance. I highly recommend this competition as it is a platform for students to be chosen by the best schools in the world.

Rebecca Blenkinsop and Harris Bell dancing Robert Binet’s Self & Soul. ©2018 The Royal Ballet School. Photographed by Tristram Kenton

Rebecca Blenkinsop and Harris Bell dancing Robert Binet’s Self & Soul. ©2018 The Royal Ballet School. Photographed by Tristram Kenton

You’ve accepted a contract with English National Ballet. Congratulations ! What was the process you went through to be awarded the contract and and when do you start work?

Thank you, I was fortunate enough to be seen by Tamara Rojo during ballet class at my school where she offered me a contract. I begin working at the beginning of August this year.

What do you know about English National Ballet & have you spent any time with them yet ?

I have seen the company perform multiple times in London and was amazed by the technical standard and performance of the dancers. I also love the company’s classical repertoire combined with many modern contemporary works. I have not yet spent any time with the company but look forward to starting the season.

What are you looking forward to about joining the company?

This season I am very excited to learn and perform in Manon, Swan Lake, Cinderella and Akram Khan’s Giselle. I am also looking forward to the international tours to Chicago and Russia. I love to travel and can’t wait to see many new places with the company.

How do you think company life will differ from your student days?

Obviously no more uniform which I am very excited about. In a company you have to draw from skills that you have learnt as a student to maintain and improve your technique as you do not receive feedback and corrections as often as in school. Also I am going to have to prepare myself for finishing late at night after shows, and performing constantly, which is very exciting.

What do you think you will bring to the company?

I hope to bring my enthusiasm and passion for dance to the company and wider audiences through my  performance.

How are you preparing yourself for your first professional contract?

Sewing lots of pointe shoes! But on a serious note as I have three weeks before I begin, I am going to the gym to complete a fitness program created by the sports scientists at RBS focusing on cardio, leg strength and abdominal work to maintain my fitness levels over the holiday period. I plan on doing holiday classes as well before the season commences.

What are you your best achievements as a student?

My best achievements as a student include being a finalist of the Prix de Lausanne, dancing Robert Binet’s Self and Soul on the Royal Opera House stage for the RBS end of year show and of course being offered a contract for English National Ballet.

Why ballet?

I love the technical challenges of classical ballet and the physicality of the art form. For me there is honestly nothing more rewarding than performing a piece on stage that you have worked so hard to achieve. I love the feeling of taking the curtain call and feeling proud of how I danced. I was also attracted by the beauty of the art form and how such complex movement can appear so graceful on stage.

Do you have a dream role and/or dance partner and if so what/who are they?

I have a few dream roles/works I would love to dance including Manon, Juliet, Aurora, After the Rain by Christopher Wheeldon and Petite Mort by Jiri Kylian.

What would you say to students entering their graduate year ?

Work hard, stay focused and enjoy every opportunity you are given. In terms of auditioning for companies I would say to be confident in your abilities, make an effort to stand out and focus on yourself and not the other dancers in the room, and always remember you never know what directors are looking for so never give up on what you want to achieve.

Where would you like to be this time next year and how will you measure your progress over the year?

I would like to continually improve my technique, become a stronger dancer and to have enjoyed my first season as a professional dancer.

Rebecca Blenkinsop

Rebecca Blenkinsop

Rebecca Blenkinsop wins Ursula Moreton Choreographic Award 2017

On Wednesday 10 May 2017 the  2nd Year students at the Royal Ballet School, Upper School in Covent Garden performed a selection of their choreographies for the Ursula Moreton Choreographic Award.

Nine students were shortlisted to show their choreography, collaborating with fellow dancers to direct and stage the work. Each piece was then performed to an audience, including the judging panel: Aletta Collins, Kevin O’Hare, Wayne McGregor and Christopher Wheeldon.

Tait Awardee, Rebecca Blenkinsop with Tait Chairman, Isla Baring OAM

Congratulations to the 2017 winner Rebecca Blenkinsop, with her piece Fajjar. She started dancing at the age of 11 and was accepted into the Victorian College of Arts Secondary School in Melbourne. Now in her third year at The Royal Ballet School we look forward to watching this talented young dancer’s career blossom over the coming years. Rebecca’s award has been kindly donated by John Frost AM as part of The Leanne Benjamin Awards.

Please contact us james@taitmemorialtrust.org if you would like to support a young Australian or New Zealand dancer.

The Ursula Moreton Choreographic Award, generously supported by Peter Wilson, was created in 1973 to encourage choreographic talent. Winners have included Adam Cooper, Matthew Hart, Michael Clark, Jonathan Burrows, William Tuckett, Christopher Hampson, Christopher Wheeldon, Cathy Marston and Liam Scarlett, all of whom have gone on to have careers as choreographers.

It is an annual opportunity for students to create their own choreography. Each student is given two formal showings with feedback from guest choreographers, and regular discussions and meeting points to reflect on the students’ progress.

For the choreographers and their contributing dancers, this learning and development process has been a rich and rewarding time. These are the first or second pieces made by these choreographers and the award performance is followed by a feedback session with one of the judges.

The school is extremely grateful to receive funding for the creative and improvisation workshops. These stimulate ideas and encourage creative development in the choreographers and their dancers. It also enables music advice, guest choreographic feedback and collaboration with professionals on design, to realise the choreographers’ ideas for costume and video projection. Our thanks go to The Royal Opera House Covent Garden Foundation and June Drew, in memory of David Drew. We are also grateful to Peter Wilson who generously sponsors the competition.

The choreographic programme runs across two years at the Upper School, offering improvisation and choreographic strategies in a range of projects. In the 1st Year, students create short sketches on a given theme, whenever possible with live music and also see performances by visiting companies. In the 2nd Year, all students are involved in the Ursula Moreton Choreographic Award.

Recipients of 2016 Leanne Benjamin Awards announced

Three young Australian ballet dancers are the lucky recipients of funding from the Tait Memorial Trust, Leanne Benjamin Awards in 2016. Created in 2014, to honour the career of Australian principal ballerina, Leanne Benjamin AM OBE to assist with the costs that young Australians face when they come to study in the United Kingdom. Carefully selected by Leanne Benjamin personally we are delighted to announce our support of these talented young artists.

The Leanne Benjamin Awards
selected by Leanne Benjamin AM OBE
Financial assistance for young Australian dancers studying at major UK ballet schools

Leanne Benjamin, The Royal Ballet, Jewels , Emeralds, 2007
Leanne Benjamin, The Royal Ballet, Jewels , Emeralds, 2007

John Frost – Leanne Benjamin Award
Funded by Australian theatrical producer and Tait Patron, John Frost AM
The Royal Ballet School

Rebecca Blenkinsop
Rebecca Blenkinsop

Rebecca Blenkinsop

Rebecca is 17 years old and is from Melbourne, Australia. She started dancing at the age of 10 years and at the age of 11 was accepted into the dance programme at the Victoria College of the Arts Secondary School in Melbourne. At the age of 13 Rebecca began to develop a passion for ballet and
for the last three years has studied Cecchetti. She completed her final examination of ‘Advanced 2’ with a score of 100%.

At the age of 14 Rebecca won the State Silver Medal Award section, and also the National Lucie Saranova Silver section for her Cecchetti. Later that year Rebecca won a bursary to compete in the Cecchetti International Ballet Competition in the United States of America. Whilst one of the youngest
competitors, Rebecca received the second prize and was recognized as ‘The Most Promising Dancer’.

Rebecca’s Cecchetti success continued this year when she won the National Lucie Saranova Gold Medal section. In January 2015, she was also delighted to be a finalist in the prestigious Prix De Lausanne in Switzerland where Mr Powney first saw her.

Rebecca had the opportunity to perform the role of a child ballerina with Victoria Opera, in their production of ‘La Traviata’. She was also cast in several lead roles in her school productions, her most memorable being a ballet work of Opus 47 choreographed by English-born dancer Jonathan Taylor. Rebecca has received her ballet training from some amazing ballet teachers over the last few years, three of whom trained at The Royal Ballet School. Rebecca feels honoured to have been selected to attend The Royal Ballet School and looks forward to receiving what she considers is the best available teaching and the opportunity to train with exceptionally talented students.

This is Rebecca’s second year with The Royal Ballet School and as a LBA recipient.

Leanne Benjamin Award
The English National Ballet School

Chloe Keneally
Chloe Keneally

Chloe Keneally

Chloe Keneally studied at the Debra Whitten School of Dance, Australia. In January 2016 she auditioned for the English National Ballet School and was accepted immediately for commencement in September.

In April 2016, Chloe competed in the 2016 Youth America Grand Prix finals in New York following a successful video audition in December 2015. In 2015 she was selected to participate in The Royal Ballet (Upper School) Summer School in London as one of five Australians. Chloe participated in the City of Sydney Eisteddfod and was a Finalist in the Robert and Elizabeth Albert Scholarship (top 8%) and then placed 2nd (out of 80) for the 15 years classical section.

Other successes include the encouragement award for the 2015 RAD Jacqueline Morland Awards (youngest and only non-full time student in finals) and was awarded the most outstanding classical dancer of Brisbane Eisteddfod that same year. Chloe has been part of the Australian Ballet School Interstate training program from level 1 through to Invitee, and continued to train weekly with the Queensland Ballet Junior training program (since 2012). A career highlight was to dance the lead role of the Sugarplum fairy in 2015 in the Debra Whitten Ballet School end of year concert, dancing the challenging Grand Pas de Deux and variation with a professional male ballet dancer as guest artist

Leanne Benjamin Award
The English National Ballet School

Lauren Songberg
Lauren Songberg

Lauren Songberg

Lauren has been dancing since the age of 4 at a local dance school, under the guidance of Kim Traynor. Through the encouragement of her teachers, her love of ballet was fostered. After performing with the Australian Ballet, in The Nutcracker, her dream was set. Shortly after, she became an associate of the Australian Ballet School, maintaining this position for 4 years.

In 2012, Lauren decided to focus on ballet and moved to The McDonald College and was taught by various teachers including Jane Kesby, Josephine Jason and Allan Cross. to continue her training. Moreover, Lauren performed various roles for the Premier State Ballet.

This year, Lauren was offered numerous places at various schools across Europe, but has decided upon attending the English National Ballet School, commencing this September.

Along with performing choreographed dances, Lauren has taken a passion to choreographing her own dances including; a contemporary piece she performed at the Sydney Eisteddfod Ballet Scholarship Finals and a classical solo which won the Classical Ballet 17/o section at Sydney Eisteddfod.

John Frost AM – New Patron of the Tait Memorial Trust

The Tait Trust are delighted to announce that John Frost AM has kindly agreed to be a new Patron of the Trust here in the UK and has also agreed to be Patron for the Tait Performing Arts Association in Australia. We are also thrilled to congratulate him on being awarded the AM (Member in the General Division) part of the 2014 Queen’s Birthday Honours Australia.

 

JOHN-FROST-ACQUIRES-RIGHTS-TO-DREAM-LOVER

This has been a significant year for our new Patron as he was also awarded the coveted, JC Williamson Award from the Helpmann Awards. It is significant to us too as the Trust was created to memorialise the great work done by Sir Frank Tait and his four brothers when they ran The Firm/ J.C.Williamson’s Ltd. We are delighted to know that the name of this once great Australian firm has been immortalised in this wonderful award.

The article below is reprinted from the Helpmann Awards site
Live Performance Australia (LPA) has today announced that revered theatre producer John Frost has been named the 2014 JC WILLIAMSON AWARD™ recipient.

The JC WILLIAMSON AWARD™ is the foremost honour that the Australian live entertainment industry can bestow. The award recognises individuals who have made an outstanding contribution to the Australian live entertainment and performing arts industry and shaped the future of our industry for the better. Past winners include such iconic figures as Dame Joan Sutherland OM AC DBE, Barry Humphries AO CBE, Michael Gudinski AM, John Farnham AO and Graeme Murphy AM to name but a few.

John Frost has produced some of Australia’s most successful musical theatre productions over the past 3 decades. From the early days of the Gordon Frost Organisation with Hello Dolly!, The Secret Garden, Cabaret and Crazy for You to blockbuster musicals of more recent times such as Wicked, The Sound Of Music, Annie, The Wizard of Oz, Grease The Arena Spectacular, Chicago, South Pacific and A Funny Thing Happened on the Way to the Forum, John Frost has nurtured and steered the careers of hundreds of cast and crew with his passion and imparting knowledge. This year alone sees him producing multiple shows around Australia including Grease, The Rocky Horror Picture Show, Wicked – 10th Anniversary production, The King and I with Opera Australia, and Once with the Melbourne Theatre Company.

JCW Logo
John Frost OAM wins the JC Williamson Award 2014

John commenced his impressive career at the age of 16 when he was employed as a dresser on the J.C. Williamson Ltd production of Mame. The dedicated teenager worked his way up within the theatre world to Wardrobe Master, Stage Manager, Company Manager and eventually Producer. Having produced countless successful Australian productions over the years John has also gained international respect having won 2 Tony Awards for the Broadway productions of Hairspray and The King and I and currently has 2 shows playing on London’s West End, The Bodyguard and Blithe Spirit. John’s Australian productions of The Producers, Wicked and Legally Blonde – The Musical won Helpmann Awards for Best Musical in 2005, 2009 and 2013 respectively.

“I am truly grateful to Live Performance Australia and the JC Williamson Award Committee for this incredible honour. Receiving the JC Williamson Award™ is the highest tribute that can be bestowed on someone working in the performing arts industry, and to be acknowledged by my peers for a job I love is gratifying and inspiring. I’m humbled to be in the company of Googie Withers and John McCallum, Kenn Brodziak, Clifford Hocking, Tony Gould and other past recipients of this prestigious award. Thank you.” said John.

John Frost will be honoured at an industry celebration hosted by LPA in association with Queensland Performing Arts Centre (QPAC) in Brisbane on Monday 19th May. The night will include special performances as well as a host of special guests paying tribute to the theatre impresario and his outstanding contribution to the live performance industry in Australia.

LPA President Andrew Kay said, “We are thrilled to announce John Frost as this year’s JC Williamson Award recipient. John joins the ranks of a group of individuals who in their own way, and in their own field, have made extraordinary contributions to shaping and changing the landscape of our dynamic live performance industry. John’s contribution to commercial musical theatre in Australia is internationally renowned and esteemed in this country. We are delighted to be able to formally recognise his contribution and achievements at a celebratory dinner in May and at the Helpmann Awards on 18 August.”

NSW Minister for Tourism, Major Events and Minister for the Arts, George Souris today congratulated Mr Frost on his prestigious award, which will be presented at the Helpmann Awards at Sydney’s Capitol Theatre in August. The Helpmanns, supported by the NSW Government, recognises those who have made an outstanding contribution to the performing arts industry.

“Over the past three decades, John Frost, who hails from Sydney has produced some of Australia’s most successful musical theatre productions, many of which have premiered right here in Sydney.” Mr Souris said.

“It has been a great joy to work with my friend John Frost during this exciting period of development for Opera Australia. John is the ultimate professional and his advice and knowledge of the music theatre business is not only highly perceptive but it is fuelled by a real passion for the theatre. He is also a wonderful human being whose generosity of spirit and his genuine love of the theatre is inspiring to everyone who has had the privilege of working with him. He has been (and still is) an extraordinarily strong advocate for Australian artists and I believe that there is no-one who is more deserving of this prestigious award than John Frost….and there is no-one who is a finer ambassador for our industry.” said Lyndon Terracini, Artistic Director Opera Australia.

QPAC Chief Executive Mr John Kotzas paid tribute to Mr Frost calling him one of the great legends of the stage in Australia. “I’ve worked with John for many years now and the professionalism and consistently high quality productions that John tours around Australia are remarkable. John is a well-respected and most welcome producer and guest at many venues around the country – I know QPAC staff are always eager to work with him and our audiences certainly show their support. Well done John!”

JC Williamson Award ™ presented by Live Performance Australia™ in association with Queensland Performing Arts Centre