The Young Performer of the Year for 2013 is Melbourne pianist Hoang Pham. The Tait Memorial Trust are delighted that Tait Awardees, Hoang and Stefan did so well in this prestigious competition. Congratulations to you both.
Stefan Cassomenos, Andrew Kawai and Hoang Pham all performed concertos in tonight’s grand final from the Melbourne Town Hall, accompanied by the Melbourne Symphony Orchestra.
For the concerto round Hoang performed Tchaikovsky’s Piano Concerto No 1.
“I love Tchaikovsky and throughout competition I chose music I love,” he said shortly after performing.
“It’s always a thrill to play in with a symphony orchestra, especially in your home town.”
Hoang says he suffers from “extreme nerves” before performing but he accepts that it’s part of the job.
“It’s gotten easier over the years but not that much easier,” he laughs.
In his acceptance speech Hoang recounted first entering YPA in 2004 and not making the first round. His teacher told him that “time tells the truth about each musician,” and so he persisted.
He also thanked his girlfriend, former YPA winner and member of the Melbourne Symphony Orchestra, Ji Won Kim.
Pianist Stefan Cassomenos performed Prokofiev’s Piano Concerto No 3.
“I feel very much at home playing concertos with orchestras,” he said after his performance.
“It’s really great music, the way it’s written for orchestra and piano,” says Stefan. “Not all concertos are like that,” he laughs, continuing to explain. “Some are written for piano as the central feature with the orchestra in the background.”
Savage Club, 12 Bank Place, Melbourne $55 per person including drinks & canapés
Bookings: http:// www.trybooking.com/DIDG
The Tait Performing Arts Association would like to thank the Savage Club and Jayson Gillham for their support for this evening’s fund raising concert.
Tait Performing Arts Association Inc. http://www.tait.org.au
Chairman Isla Baring OAM Founding Patrons Dame Joan Sutherland AC OM DBE,JohnMcCallumGoogie Withers AO CBE, AO CBE, Viola, Lady Tait AM Patrons Dr. John Amis, Richard Bonynge AO CBE, Barry Humphries AO CBE, Piers Lane, Roger Woodward AC CBE
The Tait Memorial Trust was created by Isla Baring OAM to support young emerging Australian Performing Artists who wish to study in the UK. I am listening to a recording of Sabina Im, the Tait Memorial Trust representative at the 2013 London Masterclasses where she met and worked with Norma Fisher and sat in on masterclasses with Benjamin Zander, Ralph Kirshbaum, Gyorgy Pauk and Rosalind Plowright, she is playing the Beethoven, Piano Sonata No. 17 in d minor, Op. 31. No. 2. Her performance of this famous piece is beautiful with a flowing technique and expression way beyond her years. Sabina Im is exactly the type of artist the Trust wants to support. We are delighted to hear that her career is blossoming.
Sabina is currently at home in Sydney and will be returning to London in the Autumn as she has been accepted into the coveted Master of Piano Performance Degree at the Royal College of Music, which will commence in September 2013.
“Thanks to this Tait Memorial Trust I met one of the greatest piano teachers in the UK. During my studies at the Royal College, I will be taking private lessons with Norma Fisher as well as learning from Andrew Zolinsky.” Sabina Im. August 2013
Before her postgraduate studies commence in September, Sabina will be giving two recitals:
The first recital will be part of the Emerging Artist Series. Sabina will be giving a 40 minute recital on the 25th of August at 2:40pm. The program will be Schumann’s Carnaval Op.9 and Ginastera’s Danzas Argentinas, Op.2. This recital is open to the public.
The second recital Sabina will also be performing at the same location for the Theme and Variations Foundation on 1st of September. Sabina is one of four selected candidates who will be performing a 20 minute recital which is open to the public. Two successful candidates will be awarded $10 000 to support their studies.
All of us at the Tait Memorial Trust send Sabina our good wishes and we will be thinking of you and hope you win the AUD$10,000 prize. We will contact our Friends in the Tait Performing Association in Sydney and see if we can provide some welcome support.
If anyone is interested in attending these performances, please let them know! Their support will be greatly appreciated!
Sabina has recently been accepted into the Master of Piano Performance Degree at the Royal College of Music, which will commence in September 2013. In 2012, Sabina graduated with a Bachelor of Music in Piano Performance Degree with honors, on a full scholarship from the Yong Siew Toh Conservatory of Music, National University of Singapore. Under the tutelage of Albert Tiu, Sabina has given several solo and chamber recitals within Singapore. She has performed in masterclasses conducted by Norma Fisher, Cyprien Katsaris, Joseph Banowetz, Santiago Rodriguez, John Perry and Sara Buechner. Recently, Sabina was selected to take part in the London Masterclasses with a full scholarship provided by the Tait Memorial Trust. She has also been featured in the Artist Concert Series at the John F. Kennedy Center during the Washington International Piano Festival.
Prior to tertiary studies, Sabina commenced piano lessons with Dr. Christine Logan during her early teens. She was awarded a full music scholarship to study at St. Catherine’s School, Waverley. At the age of thirteen, Sabina gave her solo debut performance at the Sydney Opera House. Since then Sabina actively performed in notable venues such as the Metropolitan Art Space in Tokyo, Japan in 2005 and the University of New South Wales in 2006. Sabina has performed for prominent individuals such as the Korean ambassador and Sir Donald Spencer. In 2007, she was a guest performer in “Richard Tognetti with the Australian Chamber Orchestra Concert” at St. Catherine’s School Waverley. Sabina has also been invited to perform for radio broadcast stations in Sydney such as SBS Broadcast 97.7FM and 2MBS-FM 102.5FM Radio Station consecutively from 2002 till 2008. She has been successful in competitions within Sydney.
Inspired by the humble musicians such as Mitsuko Uchida and Alfred Brendal, Sabina strives to be a dedicated artist who persistently seeks a great depth in musicality. Uchida once said, “What really matters is that your love of music is stronger than your love for yourself.” Sabina aspires to search for a deep insight in music and create thought-provoking performances.
Jayson Gillham is to play in concert in Melbourne at the Savage Club on the 12th September 2013 for our sister organisation in Australia, the Tait Performing Arts Association After reading the review below by eminent critic and Tait Patron, John Amis, how could you miss it?
One of the pleasures of being a critic is that you sometimes spot a tremendous talent before it becomes known to the public at large: in my sixty years writing about artists I was able to come across some young muzos that I recognised as being star quality. I was able to appreciate when he was only seventeen the conductor Simon Rattle, and the guitarist Julian Bream when he was in his mid-teens. And now I am happy to salute the young Australian pianist Jayson Gillham. I am not alone in saluting his talent: he has a following already, he has success with orchestras in various countries and has won important prizes such as the Gold Medal of the Royal Overseas League. At the 2012 Leeds Piano competition he was a semi-finalist and won warm praise from Sir Mark Elder; likewise in the Warsaw Competition he won praise from the great Marta Argarich.
Recently, I heard Jayson again at one of the Bob Boas Concerts in Mansfield Street when he played a recital programme of Bach, Beethoven, Schumann, Debussy and two Liszt transcriptions. Each composer was done justice and the performances could not have been bettered. Gillham has virtuosity to spare but uses his technique as a springboard to making deeply satisfying and freshness of Bach (the G major Toccata), the wit and strength of Beethoven (opus 78, the ardent passion of Schumann (the Etudes symphoniques), the voluptuous poetry of Debussy (3Etudes) and the passion of Wagner (the Liebestod and the coruscating wit of the Rigoletto Paraphrase). It was a recital to cherish and remember. Jayson Gillham will surely have a big and important career.
This article was published by John Amis in his wonderful blog